Saturday, 4 December 2010

Vif - Special Feature - Ruki Interview

Ruki’s Interview for Vif

1. Completely changing over from the last 2 songs which were hard numbers, the new song “PLEDGE” is a majestic ballad after “Guren”, so please tell us about the motive behind working out a ballad this time.

Ruki : That’s because I personally feel winters are for ballads. That is why I made it.

2. What is the theme of the single “PLEDGE”?

Ruki : I wanted to write about an expression more profound than love.

3. The title “PLEDGE” means a vow or a written vow, please tell us the motive behind such a title. Also, other than “a vow or a written vow”, does this word also carry some special significance?

Ruki : I added the sense of something being deeper than a promise.

4. Which are the lyrics or the phrase which symbolizes “PLEDGE” this time?

Ruki : The first and the last words.

5. With the GazettE going to Tokyo Dome, the expectations from the fans run high just thinking about how the contents would turn out to be, so do you have anything you want to try, or any objectives in mind for Dome?

Ruki : It’ll be good if we are able to create the biggest burst among the artists who have performed at Tokyo Dome.

6. What is the reason behind having decided upon Dome at this time?

Ruki : That is because the band needs a giant, triggering explosion right now.

7. What is the Dome Live, to the GazettE?

Ruki : We wanted to try out what we would be able to present on a Stage of our dreams, at this time. That is all.

8. What is the GazettE’s next objective, after Dome is over?

Ruki : We just want to take the band to the highest position.

9. This is always asked of everybody holding a Live at the highest rated structure in Japan. What is a “good Live” to the GazettE?

Ruki : A sense of unity. How much does it resonate with the audience?

10. During the long Tour, were there any difficult times for the 5 members while travelling?

Ruki : There weren’t.

11. Please tell us what has been your favourite item of convenience during the Tour.

Ruki : iPhone.

12. What is the one thing in the world that the GazettE is proud of?

Ruki : The relationship with the fans.

Ducky's Notes:
I love his hair ♥

Friday, 22 October 2010

SHOXX - November 2010 - Aoi Interview

Latest Interview

----First of all, we would like to hear about "NAMELESS LIBERTY SIX BULLETS - 01" this time. What meaning did the first half of this Long Tour hold for you?

~~Well, I just think it was a good Tour, as usual. Actually, having completely switched over to recording-mode now, I honestly don't really remember any details (smiles bitterly).

----You're that engrossed in the creative work, aren't you? Incidentally, since when are you in the Studio?

~~Since yesterday.

----Eh. The recording was just 3 days after the Tour ended! Still, it's amazing that you can't remember the Tour because of having been working here since yesterday.

~~That's because, even though it was just a day, I had confined myself to the Studio throughout, and was set upon slowly and steadily recording the guitar. It isn't very nice, but the mode just got switched over.

----The one you're recording right now, is it the Single for December?

~~Right, it's still hot and we're already making things for the winter.

----I see. Well, we'll talk about that another day, and for now, please tell us about the Single, "Red", coming out in September. What was your impression of the title-song, "Red", when Ruki first presented it to you?

~~The song before this, "Shiver", was the kind of song which abruptly started at top-speed, went bam! and it continued that way throughout. "Red" too, at the demo-stage, had quite a similar feel to it, but I thought how I wanted to add a bit more expression to it this time round. The melody was basically quite good, so in order to make it look even better, I felt it would be absolutely great to add some modulations and variety to it.

----That perception hit right on target. While retaining the radical atmosphere set out by "Shiver", you were at the same time able to present a band-sound with a different approach yet again.

~~Since there is the emotional factor and something very human associated with it, something of myself definitely comes across in the picture. It was nice to bring out a different angle through it, very different from "Shiver".

----From the point of view of guitar ensembles, the large number of tie-ups between Uruha and you is a characteristic feature of "Red".

~~Ah, yes, I suppose. There used to be a lot of that in the past, but in recent years, more than doing tie-ups, we've been arranging things more in unison with each other.

----From there, having revived the tie-up part with "Shiver", there has been a whole lot of development in the area of twin-guitars this time with "Red", isn't it? Despite not being a guitar-kid, I feel that is a very essential part to be listening to.
~~Ah no, you're just being very kind to be putting it that way (laughs). But talking of this, the single for December gets even better, you know? It’s gone to the extent where we’re afraid we’ll get too caught up with having as many tie-ups as we want to or even having too many tie-ups between us (laughs).

----Ah. Even if that is the case, I’m definitely looking forward to it.

~~Well, be it a tie-up or unison, the point to be considered is whether or not it suits the song in its entirety. I’m quite certain that criterion is not going to change even henceforth.

----Well then, we would also like to hear something about the compositions for the coupling songs. I felt something akin to nostalgia for a moment, when I first heard about “Vermin”. Somewhere, it makes one think of the GazettE’s past. Is that merely my imagination?

~~Wonder what it is? Stating it this way, I don’t suppose it is something done consciously.

----From your perspective, what is the distinctive characteristic of this song?

~~I suppose it’s a song which will be quite lively at the Lives.

----I understand. The moment I heard this song, I could almost see the atmosphere of the Live play out in my head (laughs).

~~All of us also wanted a song which could quickly be used at Lives. One way or the other, we wanted a song which would be easy-to-understand and would quickly blend with the mood everybody would be in.

----Songs which one can enjoy abandoning all reason, are, in reality, the ones which very easily blend in with the mood and the flow, aren’t they?

~~If it’s not that type of a song, wouldn’t it take a lot of time to build it up for a Live? Of course, there is also the method of developing a song in the course of a one-man Tour, but this time, even as we did that, there was this thing all along, of having Tokyo Dome up ahead, you know (laughs). With that aim, we added a song which had a sense of immediacy to it.

----Also, in the Single this time, there is also “AN UNBEARABLE FACT”, made by you, in the end. What was the concept from which this song was built?

~~In a nutshell, it’s about the ambience. I made it thinking how great it would be if such a scenario could gradually be brought forth during a Live. After all, “Naraku” ended up going into much heavier territory than what I had earlier thought for it, you know (smiles bitterly). I thought it could go in a more vigorous direction, what with the Live, so this time round, I thought, ‘How about this?’.

----As a member, there must have been a sense of expectation from the people, were you conscious of that ?

~~Ah no, not that much for me. Originally, there was more of a macho kind of feeling than a complete picture, and then, with Ruki’s vocals added to it, it sort of, got spiced up. That was probably what was expected anyway.

----Further, the guitar solo in this song is interesting in its originality.

~~Is that so? There was no particular aim I had in mind for it, so one way or the other, that was just something I played along with some inspiration.

----One could feel your ingenuity in the way you attacked with a classical sounding phrase, and then, unexpectedly, brought forth a taste of the avant garde towards the end.

~~Even if you say that, personally, I’m incapable of doing something which is so terribly difficult. The tapping in the final half is just an idea of some sort.

----You’re just being modest.

~~The point is, the song too is just a coupling by itself. Just having a bit of fun, well that’s nice you know.

----Aoi. Flattery aside, this song, “AN UNBEARABLE FACT”, did get completed with a must-listen quality to it, didn’t it? Why then, such ‘desperate’ pickiness over every tiny little detail??

~~Ah no, I’m just trying to cover up my own insecurities here, somehow (smiles bitterly).

----Wha—t. Is that indeed the case (laughs). Everything’s all right, please have more confidence in yourself!

~~But look, one has to consider the flow of “SHIVER” and “Red” here, you see. Compared to these title songs here, isn’t this probably the core? That’s because as a song, I think it’s one which is very tough to get the hang of—

----That’s true, this song doesn’t have a pop or a catchy feel to it. But, doesn’t it have the depth of flavor like dried, shredded squid? I suppose that is where the value of the very existence of this song lies.

~~Seriously? I thought it was much better suited to be played by a band with more of a worldview, than be played by us (laughs).

----There, you’re thinking too much (laughs).

~~Am I? I guess it’s just to do with age. These days, somehow, I’ve become strangely prone to worrying.

----Let’s change the mood here. Henceforth, let’s enjoy the process of having these songs grow and develop at the Lives hereafter.

~~That’s right. These being long awaited songs, and also to ensure that these don’t get snuffed out at the one-man Tour, I want to work hard towards it with everybody at the Lives hereafter. Even with these 3 songs, one can create an absolutely cool atmosphere, through attentive work with the way to have them heard and the way to have them viewed.

----“NAMELESS~ -02-“ is a Tour which is also linked with Dome, to be here before long. I’ll be eagerly anticipating it.

~~“NAMELESS~ 01”, basically, was vigorous and enjoyable, and it consistently stayed that way at the Lives too, I think. It was fine if it went that way, but from now onwards, I want to have even the main part of the Lives conclude with a clean snap. I’ll work towards a Tour where day after day, I’ll make a precise rise up the ladder, step after step.

Ducky's Notes:
1. Aoi first! Why? Because: 
 a)He's awesome to have come to Twitter! 
 b)He's even more awesome and sweet to have 'Followed' so many Fan-Twitters! 
2. Thank you Aoi, for still being human, and being so adorkable sometimes and making us LAUGH. OUT. LOUD, but also being so brutally honest at other times and making us want to weep in understanding and sympathy, and showing us, invariably, that even a Superstar goes through joy and disappointment and excitement and gloominess, all in the span of a single day sometimes, just like the rest of us. All the best to you, you little fuzzball ♥ Be happy always :)
3. This 'Note' is threatening to get longer than the interview itself ¬_¬;; 
4. Oh and though I'm sure everybody would have clicked on the words and figured this out by now, I'll still mention it here. 'Dried, shredded squid', though it sounds sort of abrupt there, is most probably used as a metaphor for 'deep significance' and 'an understanding of the subtle depths', in whichever context~
5. Enjoy! And do share your thoughts here :D

Tuesday, 31 August 2010

ZY - 53 - Interview

the GazettE
Special Feature Article

The GazettE, not having had another release since “BEFORE I DECAY” in October last year. Actually, with the talks of the transfer progressing under the surface, as a band, the other issue of the long periods of creative work was also done away with. So, the band is once again working at a new beginning this summer. Returning to the music scene with the new single “SHIVER”. With the Tour starting at the same time as the release, we talked about their enthusiasm post the mental state of a period of concealment.

Photographer: Susumu Miyawaki (PROGRESS-M., Co, Ltd.)
Hair and Make-up : Yoriko Matsuda, Asami Yamada (PS COMPANY)
Stylist : Masashi Takahashi, Maki Akaba, Masato Hishinuma
Interview : Atsushi Kaie
Design : Hideyuki Sahashi (ALPHA GRAPHICS)


-------It’s been almost an year since all of you gathered here (the last time was No. 49), isn’t it? During this long……a time, what have you all been doing?

Ruki—Making songs. (laughs)

--------Though I’m sure the song-making has been going on since last year, isn’t the release-schedule-related work a little different?

Ruki—At the time we started making the songs, it was simply a dump of compositions.

--------Well in that case, you must’ve had quite a stock, right?


--------Hey! (laughs)

Kai—Around 7……songs?

Ruki—Its like……it’s not as if……there are around 7 songs which remain, but there were other songs too.

--------So it was a no-deadlines……sort of a thing. (wry smile)

Aoi—That said, we weren’t even told to hurry up or anything.

--------In a positive sense, wasn’t it a luxurious period then?

Aoi—That’s true. It’s been a while.

Ruki—But because there was time, in the end we still were rushing to catch up……wonder why that happened.

--------Because the deadline does have to come up sometime. (laughs) In any case, if there is time, one is able to experiment with various things, and debate over stuff, isn’t it?

Aoi—That’s because, we are, ultimately, the sort who avoid risks as best as we can, you see. (laughs)

--------Really? (laughs) No no, not just with making songs, but it also enables you to include other things, doesn’t it? Like going for a trip, or hanging out. (laughs)

Ruki—I couldn’t help but be anxious. (bitter smile)

Reita—I wanted to go for a trip, but there was nothing decided about the upcoming matters, so I wasn’t even in the mood to go for a trip. (laughs) Had I been told it’s an off hereafter, I was bound to have had some fun, you know.

Ruki—It was just dangling in the air. It wasn’t an off but it wasn’t work either……sort of.

Uruha—I did think about it, but I had a sense of the distance between us and the deadline, I think. Not too close or too far. If that’s not there then nothing really comes up, isn’t it. (laughs)

Aoi—Sometime before the FC Tour (this March) was when I thought how the days for completing this were coming closer. (laughs) Sooner or later, sort of a feeling, I mean. (laughs)

Uruha—Normally, it’s a done thing to have various things decided by year-end, but before we came to know where the recording office was, I wasn’t even in the mood to get down to making songs.

Ruki—For us, not having anything to do was a rather disagreeable state. (wry smile)

--------Passing such a bleak period, then with things clearing up, the transfer getting decided and then also the decision about the release of the single, “SHIVER”. I suppose, with all of this, the song must’ve been made quite recently……right?

Ruki—That’s true. Just a little before the new deadline. We started making songs only after we had reached a state where we were thinking, ‘If we don’t meet up for choosing songs soon it’ll get really bad, wouldn’t it?’ (bitter smile) And when things got to where we felt, ‘If we think so much, it’ll be awful now, right?’……if we didn’t do the recording around that time we wouldn’t have made it to the July date, so we started off rather impatiently. (bitter smile)

Uruha—I thought we’d be told something like, ‘Please make it by this time’, but there was nothing of the sort at all……and then, the time totally ran out. (laughs)

--------So when did the song-selection meeting take place eventually?

Ruki—It was the beginning of February, right?

Reita—That was around the time the plans for the year were decided upon all at once.

--------And, Sony was decided upon for the transfer. I suppose, the aim of the transfer was to let the existence of the GazettE be known to people who don’t know about the band yet, right?

Ruki—That is so. Well, we wouldn’t know unless we try, right? (laughs)

--------Talking of which, were there any orders from the makers saying “Please make it this sort of a song”, or something?

Ruki—There weren’t any.

Uruha—Rather, they told us that the songs were everything. Although it’s most obvious that not having enough compositions is not something good, that was how it actually was. On the contrary, I think we were the ones requesting things. We were able to get a lot more publicity done for ourselves, for example.

--------That’s because, the basic thing is for there to be good songs, isn’t it? Well, the crucial thing, so to say, is to have good stuff in the GazettE style.

Ruki—We went about it the same way as always, though.

Uruha—But, with respect to deciding upon the songs, we worked keeping in mind the fact that we couldn’t proceed until all of us came to a consensus.

--------Starting off work with a new staff, were there any sort of discords?

Ruki—The makers themselves didn’t seem to know much about the thing called Visual Kei. So, it started off with an explanation about what Visual Kei is all about.

Uruha—But when we explained things to them, they happened to have an opinion or two of their own, in places, and we almost ended up, sort of, quarreling over it. (laughs)

--------Isn’t this all about the GazettE becoming the Vanguards of the Next Era?

Ruki—That’s what the makers also said. But they also said that there are those fans too who have followed us until now, and for that reason, we cannot just change all of a sudden. The core fans who have been following us until now will get surprised.

--------Moving ahead, we’d like to hear you talk about the 3 songs in the compilation, including the title song. They are different from the normal pattern, aren’t they?

Ruki—They do sound like the usual stuff though. (laughs)

--------The coupling song “HESITATING MEANS DEATH” being a lively number, what sort of impression did it make upon the makers? Did they like it?

Reita—It was like ‘they like the coupling even more!’ (laughs)

--------Does that mean there was some difference of opinion over having “SHIVER” as the title song?

Ruki—We talked about the lyrics. For the most part, they were putting in all their effort too. Rather than feeling “This is not nice”, we managed to work at it with all honesty.

--------I can’t quite put my finger on it, but there are places in the lyrics of “SHIVER” which somehow have a different aura than the earlier works.

Ruki—The songs in the past used to be reckless and straight. So even I wanted to have easy-to-understand lyrics this time. Nonetheless, there was a difference between what was easy-to-understand for me and what was easy-to-understand for them----. Well, what I had with me beforehand were also very straight-forward lyrics so there wasn’t any sense of discomfort about it. I haven’t written them recently.

Uruha—They were all in Japanese.

Ruki—Well, seeing as it came after quite a while, I thought I would look like something fresh, you know? It wasn’t especially difficult anyway. That’s because, truth be told, I’ve always been writing difficult-to-understand lyrics till now.

Uruha—Isn’t that what you like?

--------Going through such an exchange of opinions, wasn’t there a reaffirmation of the essence of the band? How did things work out in this respect?

Ruki—Nah~. I thought, because they don’t really lose sight of us anyway, there weren’t any visits to our living rooms either. Whether it’s our appearance or the song that we’re working at, we felt that as long as the part about the typical the GazettE style of rock would still be present…… it would be fine by us.

Uruha—Actually, we’re not the sort of band to do what we don’t really want to do.

--------Nevertheless, there are also parts which are easy to work at, aren’t there? By the way, has the PV been shot yet?

Ruki—It’ll get done sometime soon—

Reita—The Director had been the one who wanted it, so he settled upon it himself. Last time, there were people who had requested it.

Uruha—Our job got easier in that aspect.

Ruki—The quality of the artwork, including the jacket itself, increased.

--------Hearing you talk, I get the feeling there were all sorts of ups and downs before the Single came out. (laughs)

Uruha—We want to let everybody know quickly that this is not all that we are releasing. (wry laughter)

Ruki—There’ve also got to be a large number of fans who don’t know about the transfer.

Uruha—Wouldn’t they be wondering why this bunch of fellows isn’t releasing any compositions yet?

--------And then…… this time “SHIVER” has been decided upon as the Opening Theme for the anime “Kuroshitsuji II”, right?

Reita—It’s the first time we’ve tied-up with an anime.

Uruha—Though it’s an anime, it felt like we’ve steadily walked hand-in-hand with each other. There have been various tie-ups up until now, but our own involvement had been overwhelmingly small.

Reita—It’s as if we were creating an opening image in rhythm with the song.

--------And well, the Tour is also starting in July. It’s happening after a long time, and it’s also spread over a long period----. What struck me was the division between “NAMELESS LIBERTY SIX BULLETS 01” and “NAMELESS LIBERTY SIX BULLETS 02”.

Reita—Aah, I think you’ll realize it yourself later. (laughs) You’ll understand even this in July. (laughs)

Aoi—We were idle in the first half, that’s why. Keeping that in mind, we felt we had to give out a lot of candies. (laughs)

--------Not only are there numerous performances, but even your opening day at Tokyo Budoukan is a 2 DAY performance. The gig at Nakano Sun Plaza Hall has 3 performances, right? Have you done this before?

Uruha—Isn’t this the first time?

--------There are venues you’ll be performing at for the first time, and this being a long-duration Tour after quite a while, at present, what sort of a Tour do you want this to turn out to be? Could each one of you talk about it, please!

Kai—Since there are only 3 songs coming up as new songs, I think 01 will not be much different from the Lives we’ve done this far. So, that’ll do away with the pressure of having to do something new, I guess. We had a little meeting about this a while back too, so if we could just get to that nice place. (laughs)

--------As in, having easy-to-relate Lives because there will also be people who’ll be watching you for the first time?

Kai—That is something we keep in mind for any Live we perform anyway.

--------How do you fell about this, Reita?

Reita—It’s the first time we have so many performances lined up despite not having released an album. Well, I wonder how the GazettE right now, performing an intermixing of old and new songs, will turn out to be. The set-list hasn’t been decided yet, so I don’t know how it’ll turn out to be, but I want to hear what sort of moods the old songs will bring about now.

--------How about Aoi?

Aoi—Is that how you feel? (laughs)

--------Eh? How? (laughs)

Aoi—Instead, it’s about what would be better to do, right? Although I’ve turned it into a question instead. (laughs)

--------Hm? Instead? (laughs) Uhh~, you’re being your magnificent self----.

Aoi—Ah I’m tired of hearing that, all the time. (laughs)

--------Well, without having said that. (laughs)

Aoi—Well I don’t know, I just feel it’ll be good if we can turn it into a summer which stays on in one’s memories. I want to perform memorable Lives.

Uruha—The Singles compilation this time has 3 songs which is very little, but I feel they could well be keystones leaving a fairly good impression. “SHIVER” would reach out to the world, “HESITATING MEANS DEATH” was made because we wanted to have some wholehearted fun, so it’ll be a song which will be exciting, not considering the fact that it’s difficult to play, while “Naraku” is a heavy song which shows our worldview, so all are songs which I feel will draw a response even at the Lives so I’m really looking forward to it.

--------Would you kindly sum it all up, Ruki?

Ruki—Well you see, these are Lives which signify the road that we, as the GazettE, have followed this far, I’ve been talking of how I want to bring in such a feel into the performance of these Lives that they look like we’re showcasing a movie called the GazettE. I don’t know how we’ll do it though. (laughs) Isn’t this like a world-view broken up into blocks?

--------As in, the hard blocks, the blocks which are listened to, and such.

Ruki—I suppose, if we could take a close-up of each one of those, and work with them, you know. If we do that, I think even the image of the older songs will change.

--------This is an additional question, but what do you want to do by the year-end this year?

Ruki—I either want to be shivering away, or laughing real hard, I suppose. (laughs)

Reita—Don’t we also get mentally stronger?

Aoi—Well, I just want to think that it was a good year, you know. (laughs)

Ducky's Notes:
1. Nice, fun, positive interview, wasn't it!? GazeMusicians this time, hehe :D
2. Do let me know if there are places where something is unclear or wrongly translated! I'll be glad to clear and fix it up :)
3. Thanks for the scans to [rawksarr23] and [gazette_daily] at LJ.
4. Enjoy! ♥

Friday, 27 August 2010

Kazuki's blog - 26.08.2010.



Having food with Aoi!!

Drawing near.

"Fried chicken with Spring Onion sauce"

Delicious- - - - !

Wednesday, 11 August 2010

Neo Genesis - Volume 46 - Interview

the GazettE

the GazettE, having entered their 9th year since their formation. Despite there being changes with time, listening to their music and watching their Lives, what one always thinks is how they have consistently followed the course of maintaining their perfection. Consequently, a group interview taking a close-up look at the enviable relationship among the 5 members. We also received advance information regarding “SHIVER” coming out soon, and the imminent long tour drawing closer.

--------Once again, as the relationship among the 5 of you as the theme, please let us hear about the parts of you that have changed, and the parts that haven’t. We’ve talked about how since the early times the GazettE have had the sort of relationship where you can quarrel  over anything without having to take each other into consideration, but have there been any changes to that recently?

Ruki—The 4 of us haven’t changed, you know. But talking of ever since we started, (looking at Kai), there’s this new participant, you see (laughs).

Kai—……please (laughs).

Reita—In the beginning, he wasn’t quite the one to get bullied, was he now.

Kai—More than that, I wasn’t one to be outdone by others (laughs).

Aoi—He was very frank so he’d make a lot of noise, but these days, he tends to be more mellow with his image (laughs).

--------So basically because Kai has adapted, everybody else has remained unchanged.

Ruki—We haven’t changed, but we feel sort of tired (laughs). Even if the members get together, we don’t make as much noise as we used to in the past (laughs). I mean, isn’t that how things are?

Reita—Ruki is noisy (laughs).

Ruki—No, I’m not noisy, but I feel we no longer fool around as much as we used to do in the past.

Aoi—Ah, that explosiveness has gone, right? (laughs)

Ruki—Even the memory has gone (laughs).

--------(laughs) Apart from band stuff, do you also normally quarrel over private matters?

Ruki—On the contrary, we talk of nothing but private matters. If we start talking about band stuff the build-up just slows down (laughs). For example, if we get talking about soccer or games, we go “Oh~yeah!”, but if it gets to “What about the songs?”, we’re all, “Hm~”.

Reita—Doesn’t Ruki make the most fuss?

Aoi—Well, without a doubt, Ruki is the King of Digression (laughs).

Reita—The type who isn’t suited to be a (train) conductor (laughs). In the past, Kai was the one who used to give us the laughs, you know. Sending weird picture-mails, and stuff (laughs). But these days, not that much.

Kai—I almost wonder whether or not it happened even once in the entire year, me making everybody laugh.

Ruki—You probably did try to make us laugh, but ended up irritating us instead (laughs).

Uruha—But there are those times when you introduce interesting movies to us, right?

Reita—Hats off to Kai’s sense of movies (laughs).

Ruki—Because there’s a punch line waiting after one has finished watching the movie, isn’t it?

Uruha—He creates an original side-story for us (laughs).

Kai—(wry smile)

--------What if the taste in movies doesn’t match? Aren’t there members in the GazettE who don’t talk about their private matters?

Aoi—Well, we don’t talk about the finer details, you know. Just to the extent of answering if asked.

--------So, is the way all of you deal with these distances the same?

Ruki—Well it’s not as if we keep secrets from each other (laughs). Say there’s a holiday, so it goes like, “Did you go somewhere?” and “Eh? I didn’t.”.

--------For example, if there’s someone in really low spirits, or is clearly not feeling well, what sort of a band is the GazettE in response to such a situation?

Reita—Well, we prepare a Mikoshi and give them a ride (laughs).


Uruha—We don’t get company from anybody if we can’t raise our own spirits (laughs).

Ruki—Hm. We just get left behind, isn’t it? (laughs)

Uruha—Unless we get into it ourselves, nobody talks to us (laughs).

--------(laughs) You get ignored.

Ruki—And after a while, the atmosphere turns such that it becomes difficult to get into the conversation by yourself (laughs).

Uruha—If you’re tired and you get into it for no reason, then you’ll get hurt (laughs).

--------Is there no one of the sort who worries and asks, “What’s wrong?”?

Ruki—Yes. On the contrary, we’re the sort of band where if someone does worry, he’s asked “What’s wrong?” instead (laughs).

--------Isn’t there a bothersome, motherly-type here?

Ruki—There isn’t.

Uruha—Kai was, in the past.

Kai—Is that so? But that wasn’t how it was.

--------Hahaha. You’re all mother-less, aren’t you.

Ruki—Let alone a mother, there isn’t even a father (laughs).

--------Parent-less. Still, there must have been changes, at a personal level, among all of you, so we’d like to have all of you talk about each person’s case. Starting with Kai?

Reita—(Kai is) tired, isn’t it?

--------Is that grief floating about?

Ruki—It’s not grief, you know. It’s despair (laughs). Like falling down to the depths.

Kai—Well, I, sort of, don’t talk much these days, do I?

Ruki—Not being there even for the recording, etc.

Uruha—He’s not well.

Kai—No, I’m fine.

Uruha—And, his lips are gradually turning purple (laughs).

Aoi—Even though he says he isn’t unwell.

Reita—His eyes look dead (laughs).

--------There isn’t even one good thing being said over here.

Kai—But I’m happy at the times when I’m with everybody, you know.

Aoi—That, is so true (laughs).

--------How about Uruha?

Reita—He uses his iPhone a lot, doesn’t he?

Ruki—Before we knew it, he had turned into an expert on home appliances (laughs). But, he hasn’t changed much, you know. He’s always been obsessive and fond of new things. Even for a car, he fixates over all the things one can fixate over.

--------The obsessiveness remains unchanged. What have you been obsessing over recently?

Ruki—Home appliances, isn’t it? (laughs)

--------Like, iPad?

Ruki—Like equipment.

Uruha—(laughs) Those aren’t home appliances, are they?

Aoi—There isn’t even one level-headed person here, you see. But Uruha always seems to carry the bearing of the most level-headed one, so how about that? (laughs)


Aoi—He’s admirable, you know. Since the former days, he’d come to the Studio even if it weren’t his recording.

Ruki—Ah, that’s true.

Kai—He still hasn’t changed, in that aspect.

--------That’s admirable.

Aoi—He looks at the band as a whole. Before we knew it, he had turned into a bandmaster-like figure.

Ruki—He’s wonderful.

Uruha—Didn’t you say things like “Won’t you come?” for the initial (vocals) recording? (laughs).

Ruki—Hahaha. We went to the studio together, didn’t we?

--------You mean, there’s never a time when Uruha isn’t at the Studio?

Reita—There isn’t.

Uruha—Hey that’s not true, you know. I just thought, I had to go until Kai’s part came along (laughs).

Kai—(wry smile) Hey that’s not true. I go there too (laughs).

Reita—That’s because he, goes to watch the movies (laughs).

--------Ah, to look for movies to recommend to the members, right? (laughs)

Kai—No, no, no.

Ruki—You do go (laughs).

--------How about Reita?

Ruki—Hm~, the impression hasn’t changed much, I suppose. He stopped wearing Aloha tee-shirts (laughs).

Aoi—(looking at Reita’s attire) The low-quality hasn’t changed, has it?

Reita—What low-quality? Aren’t these fashionable denims? (laughs)

Ruki—Well, he hasn’t changed. Him wearing white shoes, that hasn’t changed, first of all. (laughs)

Uruha—Look at you! At a glance, doesn’t your appearance look low-quality?

Ruki—I mean, doesn’t it peev you? (laughs)


Ruki—Are you wild?

Aoi—Could be wild, or could be that he doesn’t have money (laughs). The potential doesn’t change, you see.

Ruki—The shallowness of potential.

Reita—I’m the only one whose attire keeps getting talked about all the time. If you look at it from a gaudy perspective, it could be called gaudy (laughs).

Uruha—Like, wearing a Yokosuka jumper from the recordings (laughs).

Reita—(laughs) Sukajan, right?

--------There’s also the thing about not letting go of things one likes, isn’t it?

Reita—The bothersome things (about me) haven’t changed.

Kai—Didn’t they change? You never used to move, in the past.

--------It’s not visible at a glance, is it, the bothersome part.

Ruki—If there’s be a break for 3 days, he’d stay cooped up at his place eating things from the convenience store for all the 3 days.

Reita—True. Food is really cumbersome, isn’t it? I’d stock up on convenience store food. And then my parents wouldn’t be able to stay indifferent to it any longer and would send me vegetable juice.

Uruha—So eventually, didn’t those things have a “Best Before” date?

Kai—His eating habits still haven’t changed.

--------How about Ruki?

Reita—There isn’t anything except things we can’t talk about (laughs).

Aoi—Can’t be said, isn’t it? (laughs). But, Ruki hasn’t changed much either, has he?

Reita—Hm. He hasn’t changed, so I don’t have much interest in him (laughs).

Ruki—I don’t have much interest in myself either (laughs).

Uruha—How many clothes do you have? That, to this day, has been a mystery, isn’t it?

Ruki—(laughs) That, isn’t a mystery~. Don’t ask me about it~.

Uruha—And yet, I have never seen you wearing the same clothes twice.

Reita—Your (tee-shirt sleeves) don’t even get frayed like mine do (laughs).


Reita—Oh, here’s something that’s changed about Ruki. For example, when I’m telling an interesting story to someone, he forcibly shoves himself into the conversation with an interesting story of his own, right? (laughs)

Ruki—Isn’t that something that hasn’t changed? (laughs)

Uruha—Talking of things that have changed, he’s no longer as amiable as he used to be, you know.

Ruki—What, I got lonely (laughs).

--------As in, a little lonely, because he doesn’t get invited over all that much?

Uruha—A little lonely.

Aoi—If there’s a mail, once in a while, I get really happy. Because I feel that I too am still dependable (laughs).

--------Were the mails very frequent earlier?

Aoi—I used to be asked various things, but it’s as if my duties are over now (laughs).

Reita—Also, he’s stopped losing things. In the past, he was just like Kai (laughs). Like, he’d go to the Parking and forget his wallet, and all.

Ruki—Recently, I think there have only been instances like, say, during shopping, I only pay the money, and think that I’ve taken the bought articles with me, but only realize that after someone calls out to stop me. I don’t make any huge blunders.

--------Eh. Would you, like, forget your mobile phone in the past?

Ruki—Like, I’d forget the house I had to return to (laughs).

--------(laughs) Don’t forget that, alright? Did you think about remedying this?

Ruki—I didn’t think about remedying it as such, but I just think, “It’ll be bad to lose this”, so things don’t get lost then.

Kai—Well, it’s perhaps just that they (lost things) slip out of sight. And it’s just that people like me happen to stand out.

Ruki—Kai has changed in that aspect (laughs).

--------Well, he stands out even in that sense, doesn’t he?

Aoi—There’s something that bothers me though……Do you know Kai’s e-mail address?

Ruki—I do.

Aoi—Ah, really? Well, good then.

Ruki—(reads out the address looking at his phone)

Kai—Don’t say it, don’t say it (laughs). It hasn’t yet been registered.

Ruki—This fellow keeps changing it constantly, you know (laughs).

Kai—Even to the extent of asking “What’s my address?” to Reita.

Uruha—Because you keep changing it, right?

Aoi—True. Don’t I also send mails to everybody in a group? It’s always like, ‘You changed it again?’.

Kai—No, no, no, I don’t change it that much!


--------Lastly, what about Aoi?

Reita—He stopped giving us cigarettes on birthdays (laughs).

Uruha—He stopped sending mails on birthdays (laughs).

Reita—In the past, at times when there was no money even to buy cigarettes……

Aoi—It’s always that, when the talk turns to me, isn’t it (laughs)


Ruki—He gave us treats, once in a while.

Kai—That hasn’t changed.

Uruha—He gave us a treat quite recently too.

--------He’s a lavisher, isn’t he?

Ruki—Hm, that’s true.

Aoi—I haven’t changed, perhaps.

--------Haven’t changed, much like Reita?

Aoi—Having that said about me was slightly, unexpected (laughs).

Kai—But Aoi hasn’t changed much, has he?

Ruki—He’s become a lot more harmonious. He was like a sharp knife in the past (laughs). Now he’s the most genial one, and kind even to the juniors.

Aoi—I guess I just got tired.

--------Of being a sharp knife?


Aoi—Of being so unrelenting.

Ruki—And as a backlash, Kai has started being unrelenting (laughs).

--------Is Kai going through his rebellious age right now?

Uruha—He’s going fresher day by day (laughs).

Reita—Fresh? (laughs)

Kai—(bitter laugh)

Uruha—(looking at Aoi) But, hasn’t his attire turned chic? (laughs)

Ruki—With the days, isn’t it? (laughs) For a time, he’d wear those Cowichan sweaters, you know (laughs).

--------That could be because of having grown up, isn’t it?

Aoi—I’m an adult, of course. It’s been 8 years already.

Reita—The playing style changed too, isn’t it?

Uruha—(laughs) Talk about music came forth, finally~

Ruki—Let’s change the way we’re doing this interview, now onwards (laughs)

Uruha—The style, frankly, has turned to metal.

Kai—It has a sort of kick-ass feel to it.

Aoi—If you say that, won’t the people who like metal go and hide themselves in shame? (laughs)

Ruki—Like playing guitars which have such shapes they don’t seem to have a skeleton, but playing such guitars sets a really good mood.

--------You’re adults normally, but you do keep such guitars, isn’t it? Although there haven’t been any changes in your characters as such, your parts have certainly seen some transformations, haven’t they?

Uruha—Just with Ruki having carefully collected experience points, the transformation shows itself on stage, as in, as a vocalist, he was a novice in the past, but at some time, as the Tours went by, he just changed, all of a sudden.

Reita—There is a heightened awareness of things.

Aoi—We also look after our voices.

Reita—True! I never thought this fellow would ever do such a thing, you know (laughs).

Aoi—I do it very thoroughly.

--------And what about Reita?

Reita—I suppose it’s good that I haven’t changed.

Aoi—But, he doesn’t much go in front of the stage anymore.

Kai—Aa, and he’s also stopped doing those weird movements (laughs).

Ruki—He’s turned rather profound.

Aoi—The performance and the feel used to be typically guitar-like. So in the past, there never was an occasion when I felt that I could pose a hindrance too (laughs).

Reita—When we went to Fukuoka for our first One-Man, I got quite a fright from the staff.

Uruha—You did?

Reita—I got told things like, ‘Don’t you think you go to the front a bit too much, despite being the Bassist?’ (laughs).

Uruha—That’s because earlier, you came almost uptil me while doing a front somersault.

Reita—That was because I tumbled on the stage, you know (laughs).

Uruha—Aoi saw that and he was just bent double with laughter (laughs).

--------So the change has been that you have attained a sense of stability regarding your role as a bassist.

Ruki—I have a feeling Uruha was really evil in the past (laughs). There were even times when he’d be reckless enough to go to the extent of saying things like “Wait a little, would you?”.

Uruha—(laughs) Rather than creating an impression, I just go on repeating things quickly, or end up getting too excited over the Live.

Ruki—The twin-guitars are substantially established now.

Kai—There used to be a fair amount of fluctuation in the past, but now things have a more heavy feel to them.

Ruki—I feel that the phrases have changed too. In the past, the guitar phrases sounding like solemn sobs were numerous, but now there are more of the typical solos being played. Each phrase has become more detailed, in a way.

Aoi—Half the fixation I used to have over the sounds is already gone. Aren’t we like, pursuing various types of goals? Not that I know, really (laughs).

-------A display of your enthusiasm.

Aoi—Well, even as a guitarist, it’s a ‘Have I worked this much?’ sort of a thing.

Reita—Kai has started revealing himself, steadily.

Ruki—In the past, he used to say he didn’t want to stand out because he was the drummer. That was because his image would fade because of the GazettE (laughs), but ultimately, I think he wanted to stand out.

Aoi—Talking of which, he used to say he didn’t want to be conspicuous.

Uruha—True, true. While returning from the Lives, when everybody else would be asleep in the car, he’d keep telling me about it, how he was “facing downwards and drumming”.


Uruha—I wonder why, recently, he keeps on changing his looks and trying out different things.

Ruki—Kai’s look has been sort of ferocious, and at other times it has been like a gentle elder brother, so I’m really looking forward to what it’ll turn out to be hereafter.

--------In that sense, has the style seen the most change?

Aoi—The change is in progress. Isn’t the search still on? (laughs)


Ruki—Which way will it roll?

Aoi—He even seems to be obsessing over his drum-set.

--------Looking forward to it. Well, before long, the new single, “SHIVER” will be released. Please tell us what sentiment you’re looking to send out through this song. Are you betting upon its success or failure?

Aoi—We felt that the fans must also be sensitive to the fact that this is the work being released at the time when the environment of the GazettE itself is changing. Besides, there was the matter of presenting a clear picture of the band, so when we talked about all of this, we decided to have “SHIVER” as the main song.

--------Does it also have the outlook the band originally held?

Aoi—That’s like a constant, I mean, although recently, there have been many songs which have brought out the core aspects, this one was naturally melodious and aggressive, so we thought it would be nice to release this song now.

--------I suppose you also wanted to once again feel what it’s like to work at a song with a sprinty, pop-ish feel like “SHIVER”.

Aoi—Ah, I think the framework of the song turned out quite mature. We used to make more of a racket in the past.

--------The level of the construction of the song is surely different.

Aoi—I feel I understand now what each one has to express.

Ruki—Had it been even a while back, I think I’d have been somewhat reluctant to release this song as a Single.

--------Why would that be?

Ruki—I wanted to stress upon a heavier and darker aspect than this song. But when we were reviewing things all over again, I thought how it wasn’t important to be so obstinate about it. The song that was made then was “SHIVER”. It’s a straight song, has a sprinty feel to it and immediately conveys a sense of the band.

Reita—Though the environment has changed with the transfer to another recording company, we kept going with the same style as we’ve always had as our foundation, and since nothing has changed and we agreed among ourselves before making it, I think this Single is just right to display the GazettE style once again.

--------It’s a single you’re putting forward with confidence, isn’t it?

Reita—Right. That way, we won’t get perturbed by whatever is spoken about it.

Uruha—Isn’t a single something which should convey “This is the GazettE right now!” at once when you hear it? “SHIVER” was the closest to what image everybody held of us. For example, on the TV, of all the world of material being propagated, doesn’t a part of some catchphrase just hit you at once, by chance? Accordingly, we went for a song which would create an impression instantaneously.

--------A song which would hold them in an instant.

Uruha—That was essential.

Kai—About the matter of winning or losing, it’s something that is there every time, being the way we are, but since the environment around us has seen pragmatic changes, there is also a change of attitude in that sense, then I could see a new sign within me and it was about taking a shot at it.

--------A new sign, as in?

Kai—Well, I can’t say anything specifically yet, I mean, it’s just a feeling one has at the initial stages of having a goal, you know.

--------Is that a new sign? Or was it, in one way or the other, a sign which was already there?

Kai—Hmm, it’s an implicit sign.

--------Though the single this time is pop for the GazettE, it has a characteristically harsh taste, and talking in terms of food, it leaves the tongue feeling quite numb (laughs). It’s thorny, in a way. I hope the people listening to it will feel it too.

Aoi—If the thorns are gone, it’s not rock, you see.

--------Well then, finally, how do you feel the Tour “NAMELESS LIBERTY SIX BULLETS”, marking your first Tour-Commencement at Budoukan, will turn out to be? What have you been specifically planning for?

Ruki—It’s still at the decision-making stage, you know. It’ll still take some time.

Reita—The foundation has been set, though. I think, compared to last time, there is sheer volume present this time.

--------A never-seen-before display?

Ruki—More than never-seen-before, we imagine them to be Lives which will specialize in what we’ve wanted to show all this time. In a way that even the visuals will be deeply moving, and there will be that much more passion in it.

Aoi—Based upon what we’ve been doing all this time, we thought about how we could put forward the polished version now.

Uruha—It’ll be a bad Tour unless each thing is set to its precise form and nothing is left ambiguous, isn’t it? If we don’t constantly keep an eye over every step, we won’t get the results we want. I think it’ll turn out to be that relentless a Tour, you know.

Ruki—As in, ‘How far can we go?’.

Aoi—Because it’s the second Tour designated “NAMELESS~”, you see? It’s time for a bit of a match, for victory and defeat.

--------4 years after that Tour, what does the scene look like?

Aoi—Right. Even that was a Tour of victory and defeat, so let’s not forget those same feelings this time again.

--------Like Kai also said, it’ll be a Tour setting new landmarks.

Aoi—Well, if one generalizes it that way, it’ll turn out to be just that sort of a Tour (laughs).

Ducky's Notes:
1. They're so much love when they're in the mood:D I was giggling all the time while translating this:D
2. I'm sure I would have made errors in places, so if there are any mistranslations or something which is not quite clear, do let me know!
3 Scans are from [rawkstarr23] at [gazette_daily@lj]. Thank you!
4. Enjoy the dork-fest ♥ !