Friday, 17 June 2011

B=PASS - July 2011 - Single Interview



n  Without delaying this any further, please tell us about “VORTEX”. One can feel the thrill of having released this song as a Single with such confidence. According to what Ruki said in last month’s edition, when all of you got talking about what you want to do post Tokyo Dome, there was a unanimous opinion on the lines of “We want to do something heavy”, isn’t it?

Ruki : Hn.

Aoi : Well, because Ruki has rules (laughs).

Reita : Hahaha! But really, there’s no doubt that nobody wanted to do anything serious.

Uruha : More than ‘post Tokyo Dome’, it was about doing what was lacking in the flow of the 3 Singles from last year. So it was about time we brought that out.

Aoi : There was absolutely no perceptual dissent there. Aren’t we so-called soulmates because of that?

Kai : Soulmates?

Uruha : Is that the name of a game? (laughs)

n  Is it about being able to communicate feelings at a spiritual level?

Aoi : Hn. Ordinarily, I think we don’t even confirm much about this or that. Or if we don’t perceive something, we might even talk about “How should the next song be?” just along everyday conversation. I feel this is how we do it.

n  Don’t you have something like a ‘daily meeting’ at all?

Aoi : Hn. We don’t even have any formal conversations when the 5 of us are together. It probably happens quite unconsciously, as in, we sense what the other wants through general remarks, or from the music flowing from the other member’s PC, we grasp “Aah, they want something like this”. But we don’t even make or ask for any explanations about all those various things.

n  So what is the actual story behind the title song “VORTEX” itself; how did it come about?

Ruki : The idea was originally mine. I made it with a rather reckless feel to it. More than based on what I was thinking, I made what I was naturally playing, right till the end. It’s been quite some time since I made an intense one.

n  As in, all that built up frustration just burst out all at once?

Ruki : That is so. I made it with nothing but that etched in my mind. Like, without suppressing any desires. As a result, by following what I envisioned from the start, I think I was able to build something was better than it.

n  It’s heavy but at the same time, it’s quite easy to comprehend. Like, there’s no need to go back and check what one heard. It’s the type of song which everybody will get right without having to check and confirm what the best interpretation might be.

Aoi : Aah, hn.

Uruha : Well you see, for each scene, even if each person doesn’t get to do what they please, they still properly keep in sight what according to them would be the solution. I think this is proof that the pre-production was done in a steady manner. Lately, there aren’t any cases where we go “This scene is such a riddle, isn’t it?”.

n  If we turn this the other way round, do you mean there used to be a lot of riddles in the past?

Uruha : Yeah, quite a lot (laughs). We used to let the riddle be a riddle and work with it. We thought that was rock.

Ruki : Those words might be a bit painful (laughs).

n  To put it differently, in your understanding, these inconsistencies, or mismatched parts, or parts with incomprehensible reasoning were what made rock interesting, is it?

Uruha : Hn. We tried to enjoy that for all we were worth. That’s how things were. But in case of this song, we dealt with it in a very straightforward way. Without going all out to destroy. There are cases where, unless there are parts settled down in neat order, the disharmony shows itself.


[[...to be continued.]]



Ducky's Notes:
1. The other parts shall be posted by-and-by, hopefully in quick succession~ :)
2. The other segment of this issue, the Special Q & A, is here. 

3. Suggestions and corrections are always welcome!
4. Scans from here. Thanks!

Tuesday, 14 June 2011

B=PASS - July 2011 - Special Q & A


Wanting to know even more about the 5, we threw various questions at them. From the Single “VORTEX” and miscellany related to music to their ‘my boom’, a close-up of them at present!




AOI


Q1. What would be the catchphrase you’d give to “VORTEX”?
A1. I want to touch the limits of my strength. A song of supremacy sent to you.

Q2. “UNCERTAIN SENSE”. Which part would you say has the main point of the song?
A2. Hn~, the song was made with the intention of having it worth listening to in its entirety, but if I were to point out a strong part it would be……the whole song?

Q3. “BREAK ME”. Recently, what made you think “BREAK ME”?
A3. Nothing really (laughs). If I had to, I’d say the thing about wanting to do things in a disorderly, messy way.

Q4. What is your favourite album or musician these days?
A4. There are too many of them…… . I can’t speak of a point of view about anything except the GazettE (laughs).

Q5. What has been on your mind these days?
A5. Organizing the postponed tour [Abyss][Lucy], and wondering if I’ll be able to perform properly again~, things like that.

Q6. Lyrics, melody, phrases and arrangements. When do these occur to you the most?
A6. Lots of times in the Ofuro. Particularly while shampooing. If I tried to put proper effort into thinking about those it would surely speak of a bad personality.

Q7. I’m sorry but it was a promise (!?), please tell us about your ‘my boom’.
A7. I didn’t make any such promise! I don’t know if it could be called ‘my boom’ but since we’re busy with production work these days, I’m in a state where I just can’t do without shochu.

Q8. Please tell us if there has been a book, a manga or a movie you found interesting.
A8. “SIDOOH – shidou” “Kuroshitsuji II”

Q9. How would you express your character in a word?
A9. I’m original, so I simply cannot give myself a character. But if I were to push myself, I’d say Sebastian from “Kuroshitsuji II” is someone who really does his best. Ah, this is a joke right?

Q10. Live band – the GazettE. Please tell us about the ideal Live situation for you.
A10. Hn~, this is tough. I want to perform at a beach, and I want to perform abroad too. I also want to appear in big summer festivals…… Well that’s how it is.




REITA


Q1. What would be the catchphrase you’d give to “VORTEX”?
A1. The giant, thunderous roar at the centre of a vortex.

Q2. “UNCERTAIN SENSE”. Which part would you say has the main point of the song?
A2. The riff at the Intro.

Q3. “BREAK ME”. Recently, what made you think “BREAK ME”?
A3. I tried doing something perm-like.

Q4. What is your favourite album or musician these days?
A4. DOPE

Q5. What has been on your mind these days?
A5. The earthquake disaster, really.

Q6. Lyrics, melody, phrases and arrangements. When do these occur to you the most?
A6. When I’m driven to the wall.

Q7. I’m sorry but it was a promise (!?), please tell us about your ‘my boom’.
A7. Cooking.

Q8. Please tell us if there has been a book, a manga or a movie you found interesting.
A8. “SIDOOH – shidou”

Q9. How would you express your character in a word?
A9. “There’s a weird kind of fellow!”

Q10. Live band – the GazettE. Please tell us about the ideal Live situation for you.
A10. A live which would make me forget all memories.




RUKI


Q1. What would be the catchphrase you’d give to “VORTEX”?
A1. “Take this……”

Q2. “UNCERTAIN SENSE”. Which part would you say has the main point of the song?
A2. When I translate the lyrics……!

Q3. “BREAK ME”. Recently, what made you think “BREAK ME”?
A3. The time when I’m sleepy.

Q4. What is your favourite album or musician these days?
A4. Yoshii Kazuya san’s album “The Apples”.

Q5. What has been on your mind these days?
A5. The earthquake. The nuclear power plant too. I don’t think there’s anything more than that right now.

Q6. Lyrics, melody, phrases and arrangements. When do these occur to you the most?
A6. It’s really happens on impulse. A lot of times when I’m taking a walk outside.

Q7. I’m sorry but it was a promise (!?), please tell us about your ‘my boom’.
A7. I don’t know if it’s a boom……designing for work.

Q8. Please tell us if there has been a book, a manga or a movie you found interesting.
A8. “SIDOOH – shidou”

Q9. How would you express your character in a word?
A9. Freedom

Q10. Live band – the GazettE. Please tell us about the ideal Live situation for you.
A10. The moment one can turn into nothingness is the most ideal.




KAI



Q1. What would be the catchphrase you’d give to “VORTEX”?
A1. A sprint that feels good.

Q2. “UNCERTAIN SENSE”. Which part would you say has the main point of the song?
A2. The easy to listen composition!

Q3. “BREAK ME”. Recently, what made you think “BREAK ME”?
A3. When I’m straining myself with production work.

Q4. What is your favourite album or musician these days?

Q5. What has been on your mind these days?
A5. Japan’s future.

Q6. Lyrics, melody, phrases and arrangements. When do these occur to you the most?
A6. Like, on the spot while drumming.

Q7. I’m sorry but it was a promise (!?), please tell us about your ‘my boom’.
A7. Observing people.

Q8. Please tell us if there has been a book, a manga or a movie you found interesting.
A8. Movie : “Nakumonka”. Abe Sadao is the best!!

Q9. How would you express your character in a word?
A9. Weird figure.

Q10. Live band – the GazettE. Please tell us about the ideal Live situation for you.
A10. A riotously tempestuous one.



URUHA


Q1. What would be the catchphrase you’d give to “VORTEX”?
A1. A tour which will make you feel the beginnings of the GazettE.

Q2. “UNCERTAIN SENSE”. Which part would you say has the main point of the song?
A2. The instability between the feelings of suspension and solidity.

Q3. “BREAK ME”. Recently, what made you think “BREAK ME”?
A3. I want to put my eating habits right.

Q4. What is your favourite album or musician these days?
A4. Taproot “Our Long Road Home”, Linkin Park “A Thousand Suns”

Q5. What has been on your mind these days?
A5. Japan’s future.

Q6. Lyrics, melody, phrases and arrangements. When do these occur to you the most?
A6. Before I fall asleep on my bed.

Q7. I’m sorry but it was a promise (!?), please tell us about your ‘my boom’.
A7. iPhone’s game applications.

Q8. Please tell us if there has been a book, a manga or a movie you found interesting.
A8. Movie : “Hurt Locker”

Q9. How would you express your character in a word?
A9. An ordinary character.

Q10. Live band – the GazettE. Please tell us about the ideal Live situation for you.
A10. I want to perform at an outdoor Live right now.



Notes:
1. For Nati~ Get well soon! Hope this distracts you for a bit! :)
2. 'My boom' is basically whatever the person is really into at the moment.
3. I'll be translating the interview too, hopefully soon~
4. Scans are from here. Thank you very much :)

Thursday, 14 April 2011

Neo Genesis - Volume 15 (2007.07.04) - Uruha's Interview



Uruha (the GazettE) ...... "resplendent" beauty, just like his name!

Guitarist Uruha, the 3rd person in the the GazettE's 'personal close-up'. With his idea of "I wanted to try out over-the-top visual kei!", first of all, his long, blond extensions were curled, then he wore a pure white shirt...if this process were to be reported, one would start out thinking it was about Beethoven?→metal kei artist?→Oscar?, but when it was finally completed, his beauty was a perfect representation of his name, "resplendent". As expected. There is such sensuality in him posing before the camera, it could turn even a woman to envy. Make sure you check it out in these pages!



The one aspect that absolutely cannot be ignored when talking of Uruha’s life is the existence of companionship. Uruha, who proudly asserts, “I am what I am right now not because of myself alone, but because of what we all aimed at”. We got to hear him talk about life walking a straight route down the fascinating and perilous path of a band. And for this photo shoot, Uruha selected a gothic visual, something which he has never quite ventured into. Such beauty; isn’t it inconceivable even for a woman!?



---- What is your earliest memory?
“This was when I was in kindergarten, was it? I remember I used get inside my Mum’s skirt a lot. Didn’t you get in there a lot?”
---- No, I don’t have any such memories (laughs).
“She mostly used to wear a long skirt, you know, and I used to get inside it.”
---- That dark, confined feeling is nice.
“I don’t really know (laughs). I was quite the pampered kid. With 2 elder sisters, I was the youngest child.”
---- Then you must’ve been raised with care.
“That’s true. If I may say so myself, I think I got comparatively more pampered by my sisters. They’d always buy me what I wanted, like birthday presents and stuff. Because of that, my sister would often snap at me.”
---- I can understand your sisters’ feelings (laughs). So, that disposition of the ‘youngest child!’ is what you had.
“Yes. I was the type who’d always go along with people. I still have much the same tendencies. I wasn’t the type who’d take the lead. Even when we’d go out with the family, I’d generally be the last one closely following along. Even when I’d go out playing with my friends, I was the sort who’d just leave things to my partners.”
---- As in, ‘go where everybody else is going’.
“That’s true. Like, “Where do we go?” “It’s up to you.” Generally speaking, I was brought up in harmony.”
---- For some reason, I understand what you mean.
“Hahahha. I used to be called a “good boy” in Elementary School. I would never oppose things, and was an obedient kid.”
---- What was it that you played a lot?
“I’d play games at home, or go outdoors and be rather active playing around. Mario was a huge craze just when Super Famicom was released, so I raged and ranted at home wanting it to be bought for me, ended up kicking the door and opening up a hole in it, and got quite a thrashing from my father.”
---- So, did you get Mario?
“I kept on pestering them about it this way or that and eventually, I did get Mario (laughs).”
---- Then, what about the active games?
“The time when I was in Elementary School, I was bounding with curiosity about things, and I played stuff like ball games and Dragon Ball Z. I wonder, why was childhood so much fun? We could get absorbed in anything, we could get excited doing anything. We’d go to the mountains, make secret bases, play with fire too (laughs), we also did all kinds of bad things~.”
---- You must have gotten scolded a lot then.
“No but, whatever I did, I never got caught. I’d run away quite expertly if there was glass broken.”
---- Is that, something you’re proud of?
“It’s not like I pressed anyone into doing it. You see, I was the type to just follow along. But once, something we had done got found out, and I got scolded till I was literally kneeling on the sidewalk. My parents found out about it too, and then one’s parents apologize to the other person, you know? Seeing my parent’s tears for the first time back then, I realized, “Ah, I shouldn’t do this”, and in a flash, I stopped doing bad things. I can never forget the words of my Homeroom Teacher from Elementary School at that time. “From now on, before you decide to do anything, remember your parents’ faces”. That was a good teacher.”
---- What are you grateful to your parents for?
“It’s that they always told me to eat vegetables, ever since I was little (laughs).”
---- You played soccer too, right?
“I joined a soccer club when I was in second year of Elementary School. It was a real lot of fun. I hated stuff like basic training, but I enjoyed things like mini-games. That is where I met Reita.”
---- I see. Were you good at it?
“I was playing after an year. I was a substitute though.”
---- That means you sure were good. How was Reita?
“Reita was the substitute for our year. He was really tiny and frail, you know. He talks in his assertive way now, but I know where his core lies, so there have been times when I’ve had to tell him “Hey hey, you’re just bluffing it now!” (laughs).”
---- Like, you have a hold on his weaknesses (laughs). The times when you’re with Reita must be fun (laughs). Have you been good friends since then?
“No, not at all in the beginning. I think we just met and started talking by some chance, and got quite friendly after that. We were together in Middle School.”
---- Did something change once you were in Middle School?
“Study-related stress increased, you know. Aren’t there these cram schools which people get sent to for their High School Examinations? I got sent to one with a Spartan style1 of instruction in the beginning.”
---- I suppose that’s because after all, one’s parents want one to graduate from a good High School and then get into elite courses.
“I didn’t like that so I quit, and then went to an ‘at-home’ cram school for a bit, which was fun. I had a lot of friends there too.”
---- So you studied there.
“I took it rather lightly (laughs).”
---- The will to decide things for oneself and work at them started sprouting then, didn’t it?
“That’s…probably right. Because 2nd year of Middle School was also when I came to know about LUNA SEA and started developing an interest in bands.”
---- How did you come across them?
“I borrowed the CD from Reita, watched the PV of “ROSIER” and felt how cool it was. Watching Sugizo, I got interested in guitars, and then felt like being in a band. At the same time, with what was going on around us, Reita too similarly came to like LUNA SEA and got interested in bands. We assembled a group of friends we used to hang around with often, and would go to each other’s homes to meet up. The instruments we all wanted to play were diverse, so it was just right.”
---- When was the first time you went on stage?
“Before I formed the band with Reita, I played in a band as the class performance for Bunkasai2. I don’t remember anything except having been nervous, but that moment when the consultant Professor from the Sports Department told me, “You’re quite good at the guitar”, I thought, “Ah, but this isn’t soccer, is it””
---- Of all the people, it had to be the consultant from the Sports Department (laughs). Did your life change dramatically after forming a band?
“Once I started out with the band, I completely lost interest in soccer. We were unafraid and went with the feeling that “the 5 of us are a team”. It brought me a lot of peace, the feeling that “my place is here”. I truly felt that there is nothing more enjoyable than to be doing something of my own will.”
---- And this despite the fact that you were a boy who’d just follow people.
“Once we had confirmed our intentions among ourselves, I came to think something like “I’ll do it if everybody else does it”. Like, “I’m not alone.”
---- You weren’t alone, but 5 people with the same will, all working towards it, is a different matter.
“That’s true. With us having a band, our circle of acquaintances spread rapidly. Like, the senior who let me play drums when I was taking them down at the back, or meeting people outside the place of my part-time job.”
---- What part-time job did you have?
“I worked as a greengrocer.”
---- A greengrocer with blond hair?
“Umm, I wore a neat cap, and an apron. I switched through all sorts of greengrocers.”
---- So you were a greengrocer boy throughout (laughs). Did you like vegetables?
“No (laughs), I don’t like them at all, but with such an appearance, there weren’t many jobs I could do, so I didn’t really have a choice. But thanks to that, I learnt to distinguish between cabbage and lettuce.”
---- (laughs)! …this is off topic, but wasn’t there some girl you liked at the time?
“You see, I was always in love ever since Middle School. I fell in love too easily, to the extent of worrying myself over it, thinking, “Why do I just fall in love this way, in a single glance?”; to the extent of wondering how just about anybody would be fine (laughs). But I didn’t show it in my behavior at all.”
---- Didn’t you talk about it even to your friends?
“I didn’t, you know. I was afraid of being taunted about it, so I couldn’t tell them (laughs).”
---- Well, didn’t you confess to or go out with someone?
“I did go out in Middle School, so to say (laughs). The girls at that time seem really grown-up, don’t they? The other side gives off a strong aura of liking you, and once that happens, the boys have no choice but to go and confess to them. That was the kind of situation that came up. And because of that, things like going home together were the most embarrassing, but she would continuously pester me with “Let’s go home together” or something of the sort. So, I’d just go “Ah, hn……”.”
---- What, you made her take the lead? (laughs)
“Being a shy person was a good thing too. I didn’t even know when the right timing was to hold hands……”
---- How innocent.
“I was innocent, but it was a difficult time by itself, so I can’t genuinely say it was fun (laughs). I really wanted to take the lead, but I didn’t know how to do it, and it hurt.”
---- But after that, little by little, you did become able to form good relationships.
“I suppose, that was because I was able to do things to make the other person have an interest in me? As in, to express, “this is who I am” through words. I also became able to have a proper conversation.”
---- Was that because you came to be confident about yourself and what you were doing?
“True. I gained self-confidence, and the ability to view things objectively, so I was able to talk to women too.”
---- Your sociability gradually came forth.
“It did (laughs).”
---- When was the first time you made a song?
“I don’t remember very well, but when I was in 2nd year of High School, a senior whom I met at the greengrocers’ which I just mentioned, had the apparatus for recording songs, so I borrowed it and that was the first time I made a song.”
---- Did you have any intention of making a song yourself?
“I did. I didn’t think I’d be able to make one though.”
---- And how did your first song turn out?
“It turned out surprisingly well. Added the drums, added the bass, added the guitar. I didn’t add the song chorus, but I experienced the fun in making songs. That senior was the one who taught me all of this too.”
---- That meeting was quite an important one then, wasn’t it?
“It sure was important. He was the teacher of the band. Before we knew it though, we lost touch with him, but once in a while when I return to my home town, I hear of how he’s doing. That girl too, I think she probably knows about how it’s been going for me.”
---- Having played all along admiring SUGIZO, did you ever feel that you were nearing the ideal you held for yourself?
“I think the time when I was in High School, when I set my sight on my dream, was the closest I ever came to that feeling. But the more time passes, the more that dream seems to be going further away.”
---- Right now, more than getting closer to SUGIZO, I think it’s more about you molding your own form.
“That’s true. In the past, I was just like, “Want to perform at Tokyo Dome” or “I could do it”, so in a sense, it was close.”
---- What about you in the past do you think is the reason why you are what you are at present?
“I think what mattered the most is that I wasn’t working at it alone back then, and that is probably why I’m still doing it? That’s what I feel. Having always been together with my companions is the biggest thing. There’s also the fact about me being the youngest child and always having followed people, and the past led to this present because it was a dream dreamt together by everybody. I don’t know if I still had been doing this had it been my dream alone.”
---- What would it be like if the High School Uruha were to see the Uruha at present?
“I see… probably something like “Still going at it”? (laughs) Maybe I’d say “That’s wonderful”. Wonder what it would be like.”
---- (laughs).
“But since we still haven’t played at Tokyo Dome, I don’t think I’d say something like “That’s wonderful”. I might just say “Not quite amazing”.”
---- That’s because Tokyo Dome was the measuring scale at the time, isn’t it?
“Hn, because I didn’t know anything except Tokyo Dome. Even if someone had mentioned Yokohama Arena to me at the time, it wouldn’t have rung a bell.”
---- By the way, when you were little, what did you want to become?
“A J-leaguer. I found the J-league very exciting, and it was the same for everybody around me. Maybe we just jumped the bandwagon (laughs). But for bands… . Ah~ but those were the times. Back then, even the people who weren’t in bands knew what LUNA SEA was.”
---- It would of course have been wonderful had you become a J-leaguer, but it is equally wonderful that you turned to what you aspired for, with visual kei, despite the bandwagon.
“But, I think, my skills weren’t quite suited to being a J-leaguer after all. …this is something I’ve felt ever since those times.”
---- Compared to the past, what has changed in you?
“My taste has changed. What I find cool is completely different now. Back then I used to think visual kei was all about how gaudy one could be, that if I made my own guitar, I would make one with an awesome shape. But when I actually made it, it came out surprisingly simple.”
---- What do you think about your taste in the past?
“As far as taste is concerned, I am in complete denial about it (laughs). In the past I used to like the things which I found cool at first sight. It’s the complete opposite now, rather than giving in to the first impression, I come to like the coolness of something only after I’ve further thought things through.”
---- Up until now, there must have been all sorts of temptations, and also other paths you could have taken, so what do you think is the reason why you’ve made it this far without getting distracted by anything?
“For me, the band was the biggest temptation. Parents carry that ideal of properly going to a University, finding a job…isn’t that how they feel? But I walked on towards my temptation with all my heart (laughs). There was no other temptation except the band. I had practically no other interests.”
---- As a band kid, you went in pursuit of your dreams; what aim do you pursue now?
“What is it now? It remains unchanged, I’m still working towards it. For now we can only acknowledge the fact that things don’t end there. I don’t know what will happen thereafter, but I feel we could walk towards it with a new hope that that isn’t really the goal. When I think this way, I wonder if I’m not getting closer to the dream I had in the beginning, after all.”
---- And together with your companions too.
“Hn. I don’t ever want to see the end. If we get closer to the end, I think our targets will get even higher, and we’ll go on working towards them.”



Ducky’s Notes:
1.    Very hard training or education.
2.    Cultural festival.
3.    Hope you enjoyed reading the interview J Do share your thoughts and impressions!
4.    Corrections as well as suggestions for improvement are always welcome J





Saturday, 4 December 2010

Vif - Special Feature - Ruki Interview

Ruki’s Interview for Vif



1. Completely changing over from the last 2 songs which were hard numbers, the new song “PLEDGE” is a majestic ballad after “Guren”, so please tell us about the motive behind working out a ballad this time.

Ruki : That’s because I personally feel winters are for ballads. That is why I made it.

2. What is the theme of the single “PLEDGE”?

Ruki : I wanted to write about an expression more profound than love.

3. The title “PLEDGE” means a vow or a written vow, please tell us the motive behind such a title. Also, other than “a vow or a written vow”, does this word also carry some special significance?

Ruki : I added the sense of something being deeper than a promise.

4. Which are the lyrics or the phrase which symbolizes “PLEDGE” this time?

Ruki : The first and the last words.

5. With the GazettE going to Tokyo Dome, the expectations from the fans run high just thinking about how the contents would turn out to be, so do you have anything you want to try, or any objectives in mind for Dome?

Ruki : It’ll be good if we are able to create the biggest burst among the artists who have performed at Tokyo Dome.

6. What is the reason behind having decided upon Dome at this time?

Ruki : That is because the band needs a giant, triggering explosion right now.

7. What is the Dome Live, to the GazettE?

Ruki : We wanted to try out what we would be able to present on a Stage of our dreams, at this time. That is all.

8. What is the GazettE’s next objective, after Dome is over?

Ruki : We just want to take the band to the highest position.

9. This is always asked of everybody holding a Live at the highest rated structure in Japan. What is a “good Live” to the GazettE?

Ruki : A sense of unity. How much does it resonate with the audience?

10. During the long Tour, were there any difficult times for the 5 members while travelling?

Ruki : There weren’t.

11. Please tell us what has been your favourite item of convenience during the Tour.

Ruki : iPhone.

12. What is the one thing in the world that the GazettE is proud of?

Ruki : The relationship with the fans.




Ducky's Notes:
I love his hair ♥

Friday, 22 October 2010

SHOXX - November 2010 - Aoi Interview

Latest Interview
Aoi




----First of all, we would like to hear about "NAMELESS LIBERTY SIX BULLETS - 01" this time. What meaning did the first half of this Long Tour hold for you?

~~Well, I just think it was a good Tour, as usual. Actually, having completely switched over to recording-mode now, I honestly don't really remember any details (smiles bitterly).

----You're that engrossed in the creative work, aren't you? Incidentally, since when are you in the Studio?

~~Since yesterday.

----Eh. The recording was just 3 days after the Tour ended! Still, it's amazing that you can't remember the Tour because of having been working here since yesterday.

~~That's because, even though it was just a day, I had confined myself to the Studio throughout, and was set upon slowly and steadily recording the guitar. It isn't very nice, but the mode just got switched over.

----The one you're recording right now, is it the Single for December?

~~Right, it's still hot and we're already making things for the winter.

----I see. Well, we'll talk about that another day, and for now, please tell us about the Single, "Red", coming out in September. What was your impression of the title-song, "Red", when Ruki first presented it to you?

~~The song before this, "Shiver", was the kind of song which abruptly started at top-speed, went bam! and it continued that way throughout. "Red" too, at the demo-stage, had quite a similar feel to it, but I thought how I wanted to add a bit more expression to it this time round. The melody was basically quite good, so in order to make it look even better, I felt it would be absolutely great to add some modulations and variety to it.

----That perception hit right on target. While retaining the radical atmosphere set out by "Shiver", you were at the same time able to present a band-sound with a different approach yet again.

~~Since there is the emotional factor and something very human associated with it, something of myself definitely comes across in the picture. It was nice to bring out a different angle through it, very different from "Shiver".

----From the point of view of guitar ensembles, the large number of tie-ups between Uruha and you is a characteristic feature of "Red".

~~Ah, yes, I suppose. There used to be a lot of that in the past, but in recent years, more than doing tie-ups, we've been arranging things more in unison with each other.

----From there, having revived the tie-up part with "Shiver", there has been a whole lot of development in the area of twin-guitars this time with "Red", isn't it? Despite not being a guitar-kid, I feel that is a very essential part to be listening to.
~~Ah no, you're just being very kind to be putting it that way (laughs). But talking of this, the single for December gets even better, you know? It’s gone to the extent where we’re afraid we’ll get too caught up with having as many tie-ups as we want to or even having too many tie-ups between us (laughs).

----Ah. Even if that is the case, I’m definitely looking forward to it.

~~Well, be it a tie-up or unison, the point to be considered is whether or not it suits the song in its entirety. I’m quite certain that criterion is not going to change even henceforth.

----Well then, we would also like to hear something about the compositions for the coupling songs. I felt something akin to nostalgia for a moment, when I first heard about “Vermin”. Somewhere, it makes one think of the GazettE’s past. Is that merely my imagination?

~~Wonder what it is? Stating it this way, I don’t suppose it is something done consciously.

----From your perspective, what is the distinctive characteristic of this song?

~~I suppose it’s a song which will be quite lively at the Lives.

----I understand. The moment I heard this song, I could almost see the atmosphere of the Live play out in my head (laughs).

~~All of us also wanted a song which could quickly be used at Lives. One way or the other, we wanted a song which would be easy-to-understand and would quickly blend with the mood everybody would be in.

----Songs which one can enjoy abandoning all reason, are, in reality, the ones which very easily blend in with the mood and the flow, aren’t they?

~~If it’s not that type of a song, wouldn’t it take a lot of time to build it up for a Live? Of course, there is also the method of developing a song in the course of a one-man Tour, but this time, even as we did that, there was this thing all along, of having Tokyo Dome up ahead, you know (laughs). With that aim, we added a song which had a sense of immediacy to it.

----Also, in the Single this time, there is also “AN UNBEARABLE FACT”, made by you, in the end. What was the concept from which this song was built?

~~In a nutshell, it’s about the ambience. I made it thinking how great it would be if such a scenario could gradually be brought forth during a Live. After all, “Naraku” ended up going into much heavier territory than what I had earlier thought for it, you know (smiles bitterly). I thought it could go in a more vigorous direction, what with the Live, so this time round, I thought, ‘How about this?’.

----As a member, there must have been a sense of expectation from the people, were you conscious of that ?

~~Ah no, not that much for me. Originally, there was more of a macho kind of feeling than a complete picture, and then, with Ruki’s vocals added to it, it sort of, got spiced up. That was probably what was expected anyway.

----Further, the guitar solo in this song is interesting in its originality.

~~Is that so? There was no particular aim I had in mind for it, so one way or the other, that was just something I played along with some inspiration.

----One could feel your ingenuity in the way you attacked with a classical sounding phrase, and then, unexpectedly, brought forth a taste of the avant garde towards the end.

~~Even if you say that, personally, I’m incapable of doing something which is so terribly difficult. The tapping in the final half is just an idea of some sort.

----You’re just being modest.

~~The point is, the song too is just a coupling by itself. Just having a bit of fun, well that’s nice you know.

----Aoi. Flattery aside, this song, “AN UNBEARABLE FACT”, did get completed with a must-listen quality to it, didn’t it? Why then, such ‘desperate’ pickiness over every tiny little detail??

~~Ah no, I’m just trying to cover up my own insecurities here, somehow (smiles bitterly).

----Wha—t. Is that indeed the case (laughs). Everything’s all right, please have more confidence in yourself!

~~But look, one has to consider the flow of “SHIVER” and “Red” here, you see. Compared to these title songs here, isn’t this probably the core? That’s because as a song, I think it’s one which is very tough to get the hang of—

----That’s true, this song doesn’t have a pop or a catchy feel to it. But, doesn’t it have the depth of flavor like dried, shredded squid? I suppose that is where the value of the very existence of this song lies.

~~Seriously? I thought it was much better suited to be played by a band with more of a worldview, than be played by us (laughs).

----There, you’re thinking too much (laughs).

~~Am I? I guess it’s just to do with age. These days, somehow, I’ve become strangely prone to worrying.

----Let’s change the mood here. Henceforth, let’s enjoy the process of having these songs grow and develop at the Lives hereafter.

~~That’s right. These being long awaited songs, and also to ensure that these don’t get snuffed out at the one-man Tour, I want to work hard towards it with everybody at the Lives hereafter. Even with these 3 songs, one can create an absolutely cool atmosphere, through attentive work with the way to have them heard and the way to have them viewed.

----“NAMELESS~ -02-“ is a Tour which is also linked with Dome, to be here before long. I’ll be eagerly anticipating it.

~~“NAMELESS~ 01”, basically, was vigorous and enjoyable, and it consistently stayed that way at the Lives too, I think. It was fine if it went that way, but from now onwards, I want to have even the main part of the Lives conclude with a clean snap. I’ll work towards a Tour where day after day, I’ll make a precise rise up the ladder, step after step.





Ducky's Notes:
1. Aoi first! Why? Because: 
 a)He's awesome to have come to Twitter! 
 b)He's even more awesome and sweet to have 'Followed' so many Fan-Twitters! 
2. Thank you Aoi, for still being human, and being so adorkable sometimes and making us LAUGH. OUT. LOUD, but also being so brutally honest at other times and making us want to weep in understanding and sympathy, and showing us, invariably, that even a Superstar goes through joy and disappointment and excitement and gloominess, all in the span of a single day sometimes, just like the rest of us. All the best to you, you little fuzzball ♥ Be happy always :)
3. This 'Note' is threatening to get longer than the interview itself ¬_¬;; 
4. Oh and though I'm sure everybody would have clicked on the words and figured this out by now, I'll still mention it here. 'Dried, shredded squid', though it sounds sort of abrupt there, is most probably used as a metaphor for 'deep significance' and 'an understanding of the subtle depths', in whichever context~
5. Enjoy! And do share your thoughts here :D

Tuesday, 31 August 2010

ZY - 53 - Interview



the GazettE
Special Feature Article




The GazettE, not having had another release since “BEFORE I DECAY” in October last year. Actually, with the talks of the transfer progressing under the surface, as a band, the other issue of the long periods of creative work was also done away with. So, the band is once again working at a new beginning this summer. Returning to the music scene with the new single “SHIVER”. With the Tour starting at the same time as the release, we talked about their enthusiasm post the mental state of a period of concealment.


Photographer: Susumu Miyawaki (PROGRESS-M., Co, Ltd.)
Hair and Make-up : Yoriko Matsuda, Asami Yamada (PS COMPANY)
Stylist : Masashi Takahashi, Maki Akaba, Masato Hishinuma
Interview : Atsushi Kaie
Design : Hideyuki Sahashi (ALPHA GRAPHICS)


THE BEGINNING OF A NEW FIGHT…


-------It’s been almost an year since all of you gathered here (the last time was No. 49), isn’t it? During this long……a time, what have you all been doing?

Ruki—Making songs. (laughs)

--------Though I’m sure the song-making has been going on since last year, isn’t the release-schedule-related work a little different?

Ruki—At the time we started making the songs, it was simply a dump of compositions.

--------Well in that case, you must’ve had quite a stock, right?

All—…………

--------Hey! (laughs)

Kai—Around 7……songs?

Ruki—Its like……it’s not as if……there are around 7 songs which remain, but there were other songs too.

--------So it was a no-deadlines……sort of a thing. (wry smile)

Aoi—That said, we weren’t even told to hurry up or anything.

--------In a positive sense, wasn’t it a luxurious period then?

Aoi—That’s true. It’s been a while.

Ruki—But because there was time, in the end we still were rushing to catch up……wonder why that happened.

--------Because the deadline does have to come up sometime. (laughs) In any case, if there is time, one is able to experiment with various things, and debate over stuff, isn’t it?

Aoi—That’s because, we are, ultimately, the sort who avoid risks as best as we can, you see. (laughs)

--------Really? (laughs) No no, not just with making songs, but it also enables you to include other things, doesn’t it? Like going for a trip, or hanging out. (laughs)

Ruki—I couldn’t help but be anxious. (bitter smile)

Reita—I wanted to go for a trip, but there was nothing decided about the upcoming matters, so I wasn’t even in the mood to go for a trip. (laughs) Had I been told it’s an off hereafter, I was bound to have had some fun, you know.

Ruki—It was just dangling in the air. It wasn’t an off but it wasn’t work either……sort of.

Uruha—I did think about it, but I had a sense of the distance between us and the deadline, I think. Not too close or too far. If that’s not there then nothing really comes up, isn’t it. (laughs)

Aoi—Sometime before the FC Tour (this March) was when I thought how the days for completing this were coming closer. (laughs) Sooner or later, sort of a feeling, I mean. (laughs)

Uruha—Normally, it’s a done thing to have various things decided by year-end, but before we came to know where the recording office was, I wasn’t even in the mood to get down to making songs.

Ruki—For us, not having anything to do was a rather disagreeable state. (wry smile)

--------Passing such a bleak period, then with things clearing up, the transfer getting decided and then also the decision about the release of the single, “SHIVER”. I suppose, with all of this, the song must’ve been made quite recently……right?

Ruki—That’s true. Just a little before the new deadline. We started making songs only after we had reached a state where we were thinking, ‘If we don’t meet up for choosing songs soon it’ll get really bad, wouldn’t it?’ (bitter smile) And when things got to where we felt, ‘If we think so much, it’ll be awful now, right?’……if we didn’t do the recording around that time we wouldn’t have made it to the July date, so we started off rather impatiently. (bitter smile)

Uruha—I thought we’d be told something like, ‘Please make it by this time’, but there was nothing of the sort at all……and then, the time totally ran out. (laughs)

--------So when did the song-selection meeting take place eventually?

Ruki—It was the beginning of February, right?

Reita—That was around the time the plans for the year were decided upon all at once.

--------And, Sony was decided upon for the transfer. I suppose, the aim of the transfer was to let the existence of the GazettE be known to people who don’t know about the band yet, right?

Ruki—That is so. Well, we wouldn’t know unless we try, right? (laughs)

--------Talking of which, were there any orders from the makers saying “Please make it this sort of a song”, or something?

Ruki—There weren’t any.

Uruha—Rather, they told us that the songs were everything. Although it’s most obvious that not having enough compositions is not something good, that was how it actually was. On the contrary, I think we were the ones requesting things. We were able to get a lot more publicity done for ourselves, for example.

--------That’s because, the basic thing is for there to be good songs, isn’t it? Well, the crucial thing, so to say, is to have good stuff in the GazettE style.

Ruki—We went about it the same way as always, though.

Uruha—But, with respect to deciding upon the songs, we worked keeping in mind the fact that we couldn’t proceed until all of us came to a consensus.

--------Starting off work with a new staff, were there any sort of discords?

Ruki—The makers themselves didn’t seem to know much about the thing called Visual Kei. So, it started off with an explanation about what Visual Kei is all about.

Uruha—But when we explained things to them, they happened to have an opinion or two of their own, in places, and we almost ended up, sort of, quarreling over it. (laughs)

--------Isn’t this all about the GazettE becoming the Vanguards of the Next Era?

Ruki—That’s what the makers also said. But they also said that there are those fans too who have followed us until now, and for that reason, we cannot just change all of a sudden. The core fans who have been following us until now will get surprised.

--------Moving ahead, we’d like to hear you talk about the 3 songs in the compilation, including the title song. They are different from the normal pattern, aren’t they?

Ruki—They do sound like the usual stuff though. (laughs)

--------The coupling song “HESITATING MEANS DEATH” being a lively number, what sort of impression did it make upon the makers? Did they like it?

Reita—It was like ‘they like the coupling even more!’ (laughs)

--------Does that mean there was some difference of opinion over having “SHIVER” as the title song?

Ruki—We talked about the lyrics. For the most part, they were putting in all their effort too. Rather than feeling “This is not nice”, we managed to work at it with all honesty.

--------I can’t quite put my finger on it, but there are places in the lyrics of “SHIVER” which somehow have a different aura than the earlier works.

Ruki—The songs in the past used to be reckless and straight. So even I wanted to have easy-to-understand lyrics this time. Nonetheless, there was a difference between what was easy-to-understand for me and what was easy-to-understand for them----. Well, what I had with me beforehand were also very straight-forward lyrics so there wasn’t any sense of discomfort about it. I haven’t written them recently.

Uruha—They were all in Japanese.

Ruki—Well, seeing as it came after quite a while, I thought I would look like something fresh, you know? It wasn’t especially difficult anyway. That’s because, truth be told, I’ve always been writing difficult-to-understand lyrics till now.

Uruha—Isn’t that what you like?

--------Going through such an exchange of opinions, wasn’t there a reaffirmation of the essence of the band? How did things work out in this respect?

Ruki—Nah~. I thought, because they don’t really lose sight of us anyway, there weren’t any visits to our living rooms either. Whether it’s our appearance or the song that we’re working at, we felt that as long as the part about the typical the GazettE style of rock would still be present…… it would be fine by us.

Uruha—Actually, we’re not the sort of band to do what we don’t really want to do.

--------Nevertheless, there are also parts which are easy to work at, aren’t there? By the way, has the PV been shot yet?

Ruki—It’ll get done sometime soon—

Reita—The Director had been the one who wanted it, so he settled upon it himself. Last time, there were people who had requested it.

Uruha—Our job got easier in that aspect.

Ruki—The quality of the artwork, including the jacket itself, increased.

--------Hearing you talk, I get the feeling there were all sorts of ups and downs before the Single came out. (laughs)

Uruha—We want to let everybody know quickly that this is not all that we are releasing. (wry laughter)

Ruki—There’ve also got to be a large number of fans who don’t know about the transfer.

Uruha—Wouldn’t they be wondering why this bunch of fellows isn’t releasing any compositions yet?

--------And then…… this time “SHIVER” has been decided upon as the Opening Theme for the anime “Kuroshitsuji II”, right?

Reita—It’s the first time we’ve tied-up with an anime.

Uruha—Though it’s an anime, it felt like we’ve steadily walked hand-in-hand with each other. There have been various tie-ups up until now, but our own involvement had been overwhelmingly small.

Reita—It’s as if we were creating an opening image in rhythm with the song.

--------And well, the Tour is also starting in July. It’s happening after a long time, and it’s also spread over a long period----. What struck me was the division between “NAMELESS LIBERTY SIX BULLETS 01” and “NAMELESS LIBERTY SIX BULLETS 02”.

Reita—Aah, I think you’ll realize it yourself later. (laughs) You’ll understand even this in July. (laughs)

Aoi—We were idle in the first half, that’s why. Keeping that in mind, we felt we had to give out a lot of candies. (laughs)

--------Not only are there numerous performances, but even your opening day at Tokyo Budoukan is a 2 DAY performance. The gig at Nakano Sun Plaza Hall has 3 performances, right? Have you done this before?

Uruha—Isn’t this the first time?

--------There are venues you’ll be performing at for the first time, and this being a long-duration Tour after quite a while, at present, what sort of a Tour do you want this to turn out to be? Could each one of you talk about it, please!

Kai—Since there are only 3 songs coming up as new songs, I think 01 will not be much different from the Lives we’ve done this far. So, that’ll do away with the pressure of having to do something new, I guess. We had a little meeting about this a while back too, so if we could just get to that nice place. (laughs)

--------As in, having easy-to-relate Lives because there will also be people who’ll be watching you for the first time?

Kai—That is something we keep in mind for any Live we perform anyway.

--------How do you fell about this, Reita?

Reita—It’s the first time we have so many performances lined up despite not having released an album. Well, I wonder how the GazettE right now, performing an intermixing of old and new songs, will turn out to be. The set-list hasn’t been decided yet, so I don’t know how it’ll turn out to be, but I want to hear what sort of moods the old songs will bring about now.

--------How about Aoi?

Aoi—Is that how you feel? (laughs)

--------Eh? How? (laughs)

Aoi—Instead, it’s about what would be better to do, right? Although I’ve turned it into a question instead. (laughs)

--------Hm? Instead? (laughs) Uhh~, you’re being your magnificent self----.

Aoi—Ah I’m tired of hearing that, all the time. (laughs)

--------Well, without having said that. (laughs)

Aoi—Well I don’t know, I just feel it’ll be good if we can turn it into a summer which stays on in one’s memories. I want to perform memorable Lives.

Uruha—The Singles compilation this time has 3 songs which is very little, but I feel they could well be keystones leaving a fairly good impression. “SHIVER” would reach out to the world, “HESITATING MEANS DEATH” was made because we wanted to have some wholehearted fun, so it’ll be a song which will be exciting, not considering the fact that it’s difficult to play, while “Naraku” is a heavy song which shows our worldview, so all are songs which I feel will draw a response even at the Lives so I’m really looking forward to it.

--------Would you kindly sum it all up, Ruki?

Ruki—Well you see, these are Lives which signify the road that we, as the GazettE, have followed this far, I’ve been talking of how I want to bring in such a feel into the performance of these Lives that they look like we’re showcasing a movie called the GazettE. I don’t know how we’ll do it though. (laughs) Isn’t this like a world-view broken up into blocks?

--------As in, the hard blocks, the blocks which are listened to, and such.

Ruki—I suppose, if we could take a close-up of each one of those, and work with them, you know. If we do that, I think even the image of the older songs will change.

--------This is an additional question, but what do you want to do by the year-end this year?

Ruki—I either want to be shivering away, or laughing real hard, I suppose. (laughs)

Reita—Don’t we also get mentally stronger?

Aoi—Well, I just want to think that it was a good year, you know. (laughs)



Ducky's Notes:
1. Nice, fun, positive interview, wasn't it!? GazeMusicians this time, hehe :D
2. Do let me know if there are places where something is unclear or wrongly translated! I'll be glad to clear and fix it up :)
3. Thanks for the scans to [rawksarr23] and [gazette_daily] at LJ.
4. Enjoy! ♥